Archive for the 'Business' Category

Released: Silent Victor (Lantham #4)

Ladies and gentlemen and those who prefer neither title, I am very proud to announce the continuation of The Clarke Lantham Mysteries.

This is the biggest one yet, ringing in at nearly the same length as Predestination, and the adventure scales with the book. Teaming up with his assistant Rachael and his new squatter Nya Thales, Lantham gets to match wits with alien hunters, Chinese assassins, and FBI agents in his attempt to solve an apparent alien abduction before the only witness is…but I’m getting ahead of myself. Here’s the back-of-book copy, to give you a better feel for what’s going on.

The California Academy of Sciences, a bastion of integrity in scientific public relations, has agreed to play host to one of the most valuable travelling exhibits in the world: a Mars rock with microbial alien life. But the attention it’s drawing isn’t just international, it’s interstellar. When a commando team of gray aliens steals the rock and abducts a security guard, in full view of the cameras, the head of the security contractor has only one place to turn: Clarke Lantham Investigations.

Clarke Lantham already turned down an alien-related job earlier in the week, and has had his fill of kooks, cranks, and crooks of all kinds. Unfortunately, with an old client suing him, a employee to pay for, and a new ward chewing through his finances, he needs the paycheck. This time, though, he’s not the only one looking for a missing person: the FBI, Lloyd’s of London, and the Chinese Ministry of State Security are all breathing down his neck.

From the dark underbelly of the Tongs slave trade to the shark-infested waters of Bolinas Bay to the skies far above the concerns of mere mortals, Lantham races against spies, assassins, and conspiracy theorists to find the missing man–and the treasure that went with him–before the theft becomes a diplomatic incident between the world’s most fearsome superpowers and the alien overlords they allegedly support.

When the field gets that crowded, someone’s bound to get hurt. But even that might be okay for Lantham…if he didn’t have to sleep on the couch.

Read the first couple chapters here.

Then, grab the book and dive in. It’s available right now through Read the rest on your Amazon, Barnes and Noble, and Smashwords.

I hope you have at least half as much fun reading it as I did writing it. Enjoy!

The Blackout: Letter to a Senator (or Two)

Warning: Politics

For those of you following the SOPA/PIPA to-do, be warned: if you live in California, both of your Senators are flogging hard for this thing. Because of that, for these two characters I actually wrote a note rather than just calling, tweeting, or petitioning.

In case you want something to riff on, I’m hereby releasing my letter into the public domain, to remix as you see fit for the benefit of your Senators and Representatives:
Continue reading ‘The Blackout: Letter to a Senator (or Two)’

Why the Flight to Amazon?

Before I start, I should make something plain:
I like Amazon–they’ve been incredibly, uncharacteristically work-with-able on a level that’s unprecedented in the publishing industry. I am delighted to have my books available in their store, I’ve had an excellent time working with CreateSpace for POD books, and very much enjoyed access to what is currently the biggest online storefront in the world.

I need to get that straight right up front, because I’m seeing other authors do something that I think shows a fundamental misunderstanding of both their relationship with Amazon, and the business model of the independent author.

You see, Amazon has started offering KDP select, where an author enrolls their books for renewable periods of 90 days on an exclusive basis. In exchange for the exclusivity (and for allowing Amazon to lend your book to prime members at rates yet-to-be-determined), the author gets the promotional tool that everyone’s been gagging after for two years now:
Continue reading ‘Why the Flight to Amazon?’

Tentative Q1 Publishing Schedule

Being that it’s the beginning of the year, I’ve been a busy boy laying my evil plans. Since some of you have asked on twitter what’s looming on the horizon for the next few month, here’s a tentative schedule (subject to change if I work faster or get bogged down):

Audio
January:
Launch a Kickstarter campaign in concert with Gail Carriger. Yup, we’re gonna be working together on something audio-oriented (this will happen toward the end of the month).
Recording Free Will (big project) and the first 3 Lantham audiobooks

February:
Free Will podcast re-launches (probably. If not Feb, then early March, as I’ll be travelling in late Feb).

March:
Commercial release of the first (or more) Lantham audiobooks

April:
MAYBE the DF10 soundtrack, if the timing works out with me and Schadey

Ebooks
January:
Throwing Lead (the long-awaited “Gun Book”) will see the light of day this month.
Silent Victor (Clarke Lantham #4) will also show up late this month.
Chicken Noodle Gravity (Lombard Alchemist #2, featured last month on Escape Pod) will release as an ebook
There are two other short stories as well that will release, assuming I can find time to do the cover art.

February:
The Auto Motive (Motives, book 1–a steampunk urban fantasy YA adventure series–might release after I get back from my travels in March)
He Ain’t Heavy (Lantham #5, again, this is a maybe)

March or April:
The Summer Town (standalone Southern Gothic romance/horror)
Sunday Morning Giraffe (Lombard Alchemist #3, short story)
Several other short stories, perhaps as many as five

April or May:
Probably either Student Culture or The Last Uploader (both standalone SF novels, both currently in progress)

Paperbacks:
Janurary:
Down From Ten
Predestination (re-release–we had problems with the printer that have dogged us for months on this one)
Sculpting God, Vol. 1
A Ghostly Christmas Present/Smoke Rings (Lantham #2 and #3 in a single ace-double style volume)

February or March:
Throwing Lead
Free Will
Silent Victor

April or May
The Auto Motive
He Ain’t Heavy (assuming it winds up being long enough for a solo paperback release)
The Summer Town
The Last Uploader or Student Culture

— —
Projects that might jump to the front:
The book version of Principles of Contracts (with lots more content and a better title)
A podcast to accompany Throwing Lead

— — —

Like I said, this is all tentative and subject to change at my imperious whim. The stuff slated for January is basically a lock, the stuff further out is less certain. There’s also more going on behind the scenes here that is not directly tied to writing output, some of which will produce results that you’ll see on the blog and in other places around the ‘net.

And if you’re an Antithesis fan, don’t worry. I start work in earnest on Avarice (Antithesis #3) in April.

I now return you to your regularly scheduled Internet ;-)

Released: Down From Ten

I’ve been waiting for this day a long time. When I first wrote Down From Ten as a screenplay, a production company in Canada was going to be handling rights clearances for the Alan Jay Lerner music incorporated into one of the scenes. When I did the podcast, ASCAP was very helpful. But as a print book, I had to wade into a rights clearance arena I’d never worked with before.

It was worth it. And the folks at the company that manages the Lerner estate were very helpful. Because of their kind work, I can now proudly present you with the ebook version of Down From Ten, a novel uniquely close to my heart.

In early January, a group of friends gather for an annual retreat: eight artists, scientists, and authors cloistered together in a mansion in California’s high country for ten days of games, conversation, exhibition, and hedonism while isolated from the outside world.

The biggest Sierra snowstorm in over twenty years, however, is not part of their plans.

When the house is buried in an avalanche, leaving our heroes with no way to hike out, they must somehow survive and stay sane while waiting for rescue—which becomes difficult when they all start having the same dream.

“Down From Ten is a brilliant, sometimes creepy take on a bohemian cozy with surreal underpinnings and an irrepressibly touching ending.” –Gail Carriger, New York Times Bestselling Author of The Parasol Protectorate series

For the first time in text, read the story that View from Valhalla calls “Unique, lavish, and challenging…amazing in its scope and its detail…with THE most surprising ending I’ve EVER experienced.”
Get it now for your Kindle, Nook, or any other reader.

Or, read the first three chapters here.

Enjoy!

Released: Free Will

The time has finally come. The revolution is about to begin. It is my distinct pleasure to announce, at long last, that Free Will, the sequel to Predestination, is now available for all electronic platforms.

The Lunar Revolution is faltering, events are spinning out of control, and Bill Shelley is inches away from achieving victory. Meanwhile, far away in the south, the footsteps of a little girl running for her life bring with them a secret that could start the war before anyone is ready.

As the Persian fleet moves and the American military mobilizes, the fate of Douglas Reeves’s conspiracy rests in the unlikely hands of a fugitive trapped between planets on a ship with his sworn enemy.

And his name is Joss Kyle.

From the surface of Mars to the forests of Vermont, the players are at the table, their antes are in, and the next round of cards is about to hit the felt. The winners will determine the face of the solar system…if they can survive the game.

Read the first four chapters here.

Or, buy it now for Kindle, Nook, and all other readers.

But I Already Have a Publisher…

We all know that adventurous types like Joe Konrath, and established types like Kris Rusch, and insanely successful types like J.K. Rowling have been having a ball publishing ebooks on their own–and we know that weirdos like me are going to do it because we’re maverick by nature and like tickling the envelope in ways that could get you arrested for molesting post office property, but what about other authors? What’s in it for them?

Why on earth would a youngish author (less than 20 years publishing) with ongoing publishing contracts ever even think about cheating on their publisher with Amazon, Smashwords, PubIt, et. al.? After all, isn’t it a lot of work? Who’s going to do the marketing? And if he’s getting checks from the big boys, why bother with the small-potatoes in ebookland? Why not just leave that stuff to the old guys with a backlist, and the newbies who aren’t good enough to land a New York Deal?
Continue reading ‘But I Already Have a Publisher…’

The Dam Breaks

We’ve been waiting for it. We’ve been talking about “What will happen if/when?” We’ve speculated ho how it will change things when the mythical species arrives:

The $99 e-reader.

Well, now we get to find out. Today, Amazon unveiled the $79 Kindle, as well as a $99 model. Don’t take my word for it, you can go and see them for sale right now.

So, what happens now? To the Nook and the Sony? To adoption rates? To ebook sales?
I don’t know. What I DO know is that this Christmas season is going to be VERY interesting for people in my line of work–and probably just as much so for readers.

Netflix for Books? Riiiiiight.

So, the latest-and-greatest panic rumor is that Amazon is going to create a “Netflix for books,” where any Amazon Prime member can download (presumably) any ebook they want for nothing more than the cost of their Prime membership.

People on the net–particularly paranoid authors and lugubrious tech writers–have been speculating about something like this for a while now, and now, according to an article in Wired, Amazon’s actually putting out feelers to see if they can make it work.

Authors, needless to say, are in a lather, because they see the potential that a) their miniscule royalty share from publishers decreasing as more people effectively use the Amazon equivalent of a library instead of paying for books, and b) Amazon might use the sea change as an opportunity to give their e-publishers a big royalty cut (which has been the paranoid topic du jour ever since they bumped it from 35 to 70 percent).

Me? I think it’s bullshit, for several reasons:
Continue reading ‘Netflix for Books? Riiiiiight.’

Tinker, Tailor, Topple, Die

So, you want to make your work–book, movie, sculpture, whatever–perfect, don’t you? You want it to shine. And you’re going to polish it, rewrite it, re-imagine it, and retcon it every chance you get? Or maybe you just can’t resist adding those few last-minute flourishes?

Well, you’re in good company. The impulse to tinker is universal. So universal, that some people make vast fortunes just so they’ll have the ability to tinker endlessly. People like, for example, George Lucas.
Continue reading ‘Tinker, Tailor, Topple, Die’

The Ebook Revolution Isn’t about Ebooks

I’m going way out on a limb here. I’m only a lay enthusiast in the field of economics, not an expert in the field, but I’ve got a middling amount of business experience in a variety of different fields, and a strange notion has been growing on my mind lately:

What if the ebook revolution isn’t about ebooks? What if, instead, it’s a symptom of a fundamental restructuring of most of the nature of market economies?
Continue reading ‘The Ebook Revolution Isn’t about Ebooks’

Parsec Committee: Recognize Full-Cast

The following is the text of an email I sent this evening to the Parsec Awards Committee. If you agree, please chime in in the comments.

Dear Committee–

A couple years ago, the categories surround podcast novels were modified so that single reader podcast novels were given their own category, while full-cast productions were transferred in to the long form audio drama category. While this did solve the persistent issue that had excellent novelists like Nathan Lowell losing to full-cast productions on the basis of production lushness rather than writing merit, it has introduced a more basic, and more intractable, problem.
Continue reading ‘Parsec Committee: Recognize Full-Cast’

Principles of Contracts: You CAN Fight City Hall

Because this one deals a lot with the law again, the usual disclaimers apply: I am not a lawyer. This is not legal advice. This is one man’s opinion on how business is done. Always consult a qualified legal professional when seeking legal advice.

— — — —
Previous chapter: Embrace Your Inner 2 Year-old
— — — —

It’s come to my attention that in some of my business posts I’ve inadvertently fed an unspoken, and erroneous, business assumption shared by many people in the arts (and, frankly, most people in society at large). It goes something like this:

“Corporations are all-powerful. They have bigger lawyers than you do. You’ll never find a lawyer to take your case if one rips you off, so you’re just going to have to roll with it if your record label cooks the books, your movie studio subjects you to creative bookkeeping, or your publishing house pads their returns. You’re only the talent–you should expect to be the victim. The talent always loses.”

In other words, you can’t fight City Hall.

Not to put too fine a point on it, but this is a con. You CAN fight City Hall. And you can win. But you have to be savvy.

First Things First

When I say things like “You don’t want to be a test case,” as I did in my chapter on the Peggy Lee decision and its implications for artist contracts everywhere, it’s easy to hear that as reinforcing the erroneous idea I’ve delineated above–an impression for which I owe some of you an apology. It’s true that in untested areas of law, a dispute on a point that’s not entirely clear is a test case, by definition, and that these kinds of cases are a pain in the ass. It’s also true that these kinds of cases are, by their nature, uncertain in their outcome. However, by stating that being a test case is a pain, I don’t mean to advocate fear of lawsuits, or a strategy of folding before parties who have bigger lawyers than you do. Not at all.

What I meant to advocate, and what that chapter will more clearly advocate when these chapters are edited and collected in a book, is a basic principle which I’ll call “Defensive Business.”

“Defensive Business” has its analog in “Defensive Driving” rather than in “paranoia” or “social defensiveness.” You don’t have to be paranoid or live in fear to practice defensive business–in fact, paranoia will usually lead you to rash behavior that can get you into trouble.

Continue reading ‘Principles of Contracts: You CAN Fight City Hall’

Dropbox: Credit is Due

Well, everyone, it looks like Dropbox has listened. They’ve rewritten their TOS in a way that is very sensible, does not use loaded legal terminology that would allow an unscrupulous employee or future company administration to do a little snatch-and-grab with your intellectual property, and is layperson readable. I call this a good result. The outcry from the user community (this was covered a LOT of other places besides just here, most of them with bigger audiences) has been really impressive, and it looks like it made a serious difference in this case.

ZDNet reports this morning on the new TOS. Take some time to read it. It’s a HUGE improvement.

As far as closing thoughts on my part?

Well, first, credit where it’s due, Dropbox listened to their users and seems to be addressing the legitimate concerns. That merits cautious kudos. Something else they did that merits unqualified praise is that they released their TOS changes a full two weeks before they went into effect, which gave everyone who wanted to a chance to pull their files and back out, or to send in feedback, or both. This is a practice that more companies should take notice of and implement. I suspect that the combination of these two actions will serve Dropbox’s reputation well among their users.

Second, the broader principle of caution with online services shouldn’t be forgotten: Know the risks you’re taking with free, cloud-based services, and protect yourself. How do you protect yourself? Keep up to date on the TOS, so you don’t get caught unawares by changes. Encrypt everything you upload. Do not upload intellectual property to services (like Google+ and Facebook, both of which currently have TOS substantially similar to or slightly worse than Dropbox’s earlier proposed revision) that claim the right to re-use, sublicence, create derivative works, adapt, etc. your work (or, worse, the files you merely have a license to use, like your music). A little caution (and encryption) goes a long way.

Third, even with services where you are not the customer, enough people getting pissed off enough can, indeed, make a difference. It’s sort of like the cows all running away from the farm at once–the cows are the product, but if there’s no product, there’s no way to sell it. Your power is diminished in situations where you’re the product rather than the customer, but it’s not totally negligible. Keep up with the blogging! :-)

Fourth, there is a very good reason that Dropbox is popular in the first place: They provide an easy backup solution. Off-site backups are important. Without them, you always risk having your files lost in a fire. Just be careful when shopping for one, and do protect yourself.

Related links:
Everybody Knows Peggy Lee (or should)

Blogging Free Will–Ebook Giveaway

So, Free Will is in prep for release right now, with the typos and other nit-picky details being worked over, layout being done, etc. It’s a big step forward in the Antithesis Progression, and there are a lot of you out there who have been waiting patiently for the series to continue.

Some of you will get a sneak peak. You see, this is a big book. It ate up more pages, and more time, than I expected by an order of magnitude, and I’m eager to see it find a good home on the shelves and in the e-readers of all of you, including those of you who have drifted away in the meantime, intending to come back when the series continued.

To let people know Antithesis is back, we’re going to need publicity. Publicity means you! Some of you out there enjoy blogging, posting opinion pieces and reviews, etc., and you are the ones I need. Starting today, the first hundred of you that email me (either the normal way through the feedback at jdsawyer.net address, or through the web form you can find here) with the subject line “Free Will Ebook” will receive a free, pre-copyedits ebook version of Free Will (and a corrected version once the proofs are done).

In return for receiving this advance review copy, you promise to blog the book when you’ve finished reading it and, once the book is released to the general public in the next week or two, to post a copy or extract of your blog review in two of the following: Amazon, Barnes & Noble, Smashwords, Goodreads, Kobo, Sony ebook store, Kobo, iBookstore. Those of you who feel enthusiastic enough about the book to post the review in all those places will be entered into a drawing. The four prizes in that drawing will be:

  • A copy of the signed-and-numbered collector’s edition of the Predestination poster
  • A signed paperback copy of Predestination
  • A signed paperback copy of Down From Ten
  • A Clarke Lantham Mysteries 2-pack: Paperbacks of And Then She Was Gone and A Ghostly Christmas Present
  • Spread the word!
    Also, watch this space. There will be more announcements in the coming days about casting calls, a new Death Threats contest, and other goodies.



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